End of the year, ladies and gentlemen. The time when lists flow like liquor at an office party, where the online community comes together as one gargantuan digital animal to do what it does best: nitpick, subtweet, and throw so many accusations of pandering, overrated and “hipster” picks that come December 31st we’ll all be sick and tired and never want to do this shit again.
Until next year, of course. When we’ll do it all over again.
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My name is Josh Thieler. I love music. I love metal. I love lists. I say many things about metal music that I love in list form below. You know what this is. I don’t need an introduction paragraph.
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Metal and Beer are a match made in Heaven (or Hell, whatever). People do enjoy beer that do not enjoy metal and vice versa. You can enjoy one without the other, but putting them together makes everything else in life better (See the Receiving the Eucharist articles my Nine Circles brethren have been doing). So I was elated when I heard that Meg and James Evans were putting together a metal and beer fest called PGH Brewtal Beer Fest. Meg is the head brewer for Pittsburgh’s Rock Bottom and James brews for Spoonwood Brewing Company. Even though they are busy organizing the fest, headbanging, and making beer, Meg and James agreed to take the time to answer some questions, see what they had to say after the jump.
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This week brought a lot of new and awesome albums. Unfortunately, a lot of releases get overlooked for coverage by the release date due to limited resources (or interest). These are a collection of releases that for no fault of their own, did not get picked for coverage on their own. That could be because no one knew what they were, no one cared, they sucked, or we just missed them because we suck. I wanted to take some time and discuss seven of these releases (now its four because a PR rep couldn’t provide me with a working link for music). These releases have nothing to do with each other and would probably never be put together other than they unfortunately happen to share the same release date and they are all getting reviewed by me.
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Hello, and happy Friday! Today I’d like to call your attention to a pair of releases you may enjoy, that just came out last month. The second one is an album called Fire of the Spirit, Twilight Fauna‘s sixth full-length record over the past several years, in addition to numerous other discographical items. (As you may or may not be aware, Twilight Fauna is a solo black metal project with strong Appalachian folk roots, with everything written and performed by sole member Paul Ravenwood of Johnson City, Tennessee.) But before that, in light of it having been released a week earlier, we’ll talk about a 12″ split record that features Green Elder — also a Ravenwood solo gig, but…
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Salt Lake City’s SubRosa has triumphantly returned with For This We Fought the Battle of Ages. SubRosa have steadily released truly fantastic releases since 2005 with multiple EPs and LPs. 2013’s More Constant Than the Gods raised the bar for the band but also for the entire genre of doom. Three years later, the hopes and expectations for For This We Fought the Battle of Ages have been blown out of the water.
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A lot of metal’s subgenres can easily get distracted by trying to be the fastest, the heaviest, lowest, slowest, and whatever else that often can remove the dangerous passions from the music. Some metal bands focus all of their attentions on competing in such a way to turn songwriting into something more akin to playing a sport. Thankfully, Australian black metal band Spire have shown with their debut full length that they are not afraid to take their time both in writing and in execution of their craft. Entropy is not the fastest or the most br00tal, but it is as ominous and unsettling as being in the eye of a hurricane.
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Iconic photo from the basement of Euronymous’s record shop Helvete located in Norway. The basement housed his independent record label “Deathlike Silence Productions”
Directly from the depths of hellish, white teen angst was born the fiery brand of metal known simply as “black metal.” Exactly who coined the term first and which band used it properly is up for debate. What isn’t up for debate is how pervasive the genre has been in extreme metal since the early 1980s. While developing mostly in Scandinavia the movement has eventually spread into Europe proper, Asia, the Balkans and the Americas—becoming a global phenomenon. Associated with black metal are plenty of non-musical elements including the legendary use of corpse paint, stage names and extreme secrecy as well as some illegal activities such as church burning, violent assault and murder. It should be noted that while plenty of black metal has been heavily criticized for…
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Every faith has its bizarre rituals that, if they arrived today, at this very moment, we’d write these people off as insane. Like, hey, I grew up Catholic, and we believe in actually devouring the flesh and blood of Jesus. That’s not weird? That’s not something that if, say, the Scientologists enacted today, most people wouldn’t be running to the social media machine to mock them?
With that in mind, one of the strangest and most dangerous rituals of modern times comes from our Pentecostal friends, who have embraced snake handling as a part of their faith. The practice isn’t widespread by any means, but for those congregations that observe it, these actions are seen as sacred and another step toward being that much closer to God (it is derived from myriad Biblical passages digested literally). Being that this practice hits close to home (regionally speaking) for Twilight Fauna’s Paul…
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Everyone’s favorite Nazi but not Nazi (see?) Colombian/Seattle black metal 2-piece is back with Bloodshed Across the Empyrean Altar Beyond the Celestial Zenith. I have no idea what this band’s world views are aside from talking a lot about Celestial Magic Satan or something or other. All I know is that since I first heard 2013’s Obscure Verses for the Multiverse I have loved this band. With their latest work, Inquisition gives us some of their standard rippers, some older sounds from earlier in the band’s extensive career, and some wonderful and sometimes completely surprising new ground.
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